Hip Hop’s political education
‘’The drama of the world shouldn’t keep us so frustrated
I look, but it doesn’t coincide with my books
Social studies will not speak upon political crooks’’
KRS -One , ‘Stop the violence’
Hip Hop is now a popular art form. Derivative of the spoken word tradition it has its own sound, culture and even language. Sammy Alim talks about a Hip Hop Nation Language that has no borders.
A more musical form of spoken word poetry, it is different in flow. It can be used to tell stories, explore the lives of Others and help form identities and as such there is a need for greater recognition of hip hop as a legitimate means of political discourse. For too long young people have been denied their authentic voice and a hip hop curriculum needs to find its way into mainstream teaching.
As a form of music today it is a multi-billion pound industry. However, rap music’s history shows it coming from the ghetto. It is by nature an underground form of communication that has become mainstream.
For me though its main role is an alternative form of education. a quote from political activist and rapper KRS 1
’’ it is an attitude and awareness away to view the world’’
My interest in the way hip hop changes individuals comes first-hand. Many rappers offer sociological explanations of things school couldn’t teach me. Coming from a broken home with a mother with severe mental health problems after post-traumatic stress I saw first-hand the results of poor socialisation, mental health issues and drug abuse. There were books in my house but nobody read them. By 12 I was smoking weed and by 13 I was a drug dealer and dropped out of school and started experimenting with heavy drugs. All of the above can be explained sociologically and psychologically but for me at the time with no books or formal education to help me make sense of my situation and the situation of those around me, music became a voice of guidance which offered wisdom, emotional intelligence and insights into various valuable life scenarios.
Class identities of early hip hop artists have been clear since the start of the game. Artists came from inner-city communities representing a class of youth facing economic deprivation along with social and political marginalisation. Now hip-hop has expanded beyond its original call to include youth of all classes, races and culture – they are the hip hop nation. Many hip-hop artists however strain to remain true to their position as the representatives of Black marginalised people – in other words staying true to the game. This involves rapping about real life scenarios of crime, domestic violence, poor education, housing, relationships with the police and government which remain to this day problematic
Political rappers can give plausible solutions about how to overcome social problems. Battling MCs on the microphone is always a better option than battling people on the streets. This brings to mind the KRS-One’s track Stop the Violence – a reaction to the commercialisation of hip hop and the gang related battles.
And if you want to go to the tip top
Stop the violence in Hip Hop, Y-O
From progressive political agendas we can teach morality and positive life scenarios. And there is academic support for these arguments.
Marc Lamont Hill has written a book called Beats Rhymes and Classroom life: hip hop pedagogy and the politics of identity. In his book he explains how originally when hip-hop was studied by scholars it was in response to the social moral panic around the negative effects of hip hop on children.
In his words
‘’much of the early scholarship on hip-hop emerged in response to the alleged links between rap music and social pathology’’.
He goes on to explain that as a result we learnt very ’ little about the motivations, processes and consequences’’ of hip-hop. Marc Lamont Hill has created what he calls Hip Hop Based Education HHBE and conducted a study in American schools over 18 months to see the effects, which he describes as providing more ‘favourable learning environments’ for English language students. So it can de done.
To take us forward , as KRS-One would say,
Street language, our verbal communication
Our codes throughout the nation