Documentary Film & Social Media

Dissertation (Professional Practice) Portfolio – MCS060L052H

References

Aufderheide, P 2007, Documentary Film : A Very Short Introduction, Oxford University Press, Incorporated, Cary.

Chuu, S.L.H., Chang, J.C. and Zaichkowsky, J.L. (2009). Exploring Art Film Audiences: A Marketing Analysis. Journal of Promotion Management, 15(1–2), pp.212–228.

Clement, J. (2019). Twitter: number of active users 2010-2018 | Statista. [online] Statista. <https://www.statista.com/statistics/282087/number-of-monthly-active-twitter-users/>

Corner, J. (2008). “Documentary Studies”: Dimensions of Transition and Continuity. [online] OUP/McGraw Hill. <https://www.johncorner.com/wp-content/uploads/2014/08/documentary_studies.pdf>

Corner, J. (2003). Television, Documentary, and the Category of Aesthetic. [online] Liverpool University. <https://www.johncorner.com/wp-content/uploads/2014/08/TV_documentary_and_the_category_of_the_aesthetic.pdf>

Facebook Inc. (2020a). Fourth Quarter and Full Year 2019 Operational and Other Financial Highlights. [online] <https://s21.q4cdn.com/399680738/files/doc_financials/2019/q4/FB-12.31.2019-Exhibit-99.1-r61_final.pdf>

Facebook Inc. (2020b). Instagram for Business. [online] Facebook for Business. <https://www.facebook.com/business/marketing/instagram#>

Fraher, A. (2010). On Leadership Panelists: The pros and cons of decentralized leadership – Amy Fraher. [online] The Washington Post. <http://views.washingtonpost.com/leadership/panelists/2010/09/the-pros-and-cons-of-decentralized-leadership.html>

Hales, S.B., Davidson, C. and Turner-McGrievy, G.M. (2014). Varying social media post types differentially impacts engagement in a behavioral weight loss intervention. Translational Behavioral Medicine, [online] 4(4), pp.355–362. <https://academic.oup.com/tbm/article/4/4/355/4563006#102524940>

Jones, H. (2020). Documentary Films Audiences in Europe Findings From the Moving Docs Survey. [online] <https://www.filmfestival.gr/attachments/article/27317/Moving%20Docs%20Survey%20Report.pdf>

Karlin, B. and Johnson, J. (2011). Measuring Impact: The Importance of Evaluation for Documentary Film Campaigns. M/C Journal, [online] Vol. 14. <https://www.researchgate.net/publication/256545144 _Measuring_Impact_The_ Importance_of_ Evaluation_for_Documentary_Film_Campaigns/link/00b495234e1593eb53000000/download>

Lauzen, M. (2020). The Celluloid Ceiling: Behind-the-Scenes Employment of Women on the Top 100, 250, and 500 Films of 2019. [online] <https://womenintvfilm.sdsu.edu/wp-content/uploads/2020/01/2019_Celluloid_Ceiling_Report.pdf>

Levy, E 1999, Cinema of Outsiders : The Rise of American Independent Film, New York University Press, New York.

Lohtia, R., Donthu, N. and Guillory, M. (2013). The impact of advertising, trustworthiness, and valence on the effectiveness of blogs. International Journal of Electronic Marketing and Retailing, [online] Vol. 5, pp.317–339. <https://www.researchgate.net/ publication/264441580_The_impact_of_advertising_trustworthiness_ and_valence_on_the_effectiveness_of_blogs/link/5ef38098299bf15a2e9d5aef/download>

Mathias Noschis (2015a). The Impact of Digitalisation on Film Marketing. [online] Slide Share. <https://www.slideshare.net/Alphapanda/the-impact-of-digitalisation-on-film-marketing?next_slideshow=1>

Mathias Noschis (2015b). The Marketing of Documentaries. [online] Slide Share. <https://www.slideshare.net/Alphapanda/the-marketing-of-documentaries>

Motion Picture Association of America (MPAA) (2018). Theatrical and Home Entertainment Market Environment Report. [online] <https://www.motionpictures.org/wp-content/uploads/2019/03/MPAA-THEME-Report-2018.pdf>

Data for study collected from I am Belmaya social media accounts:

Instagram: https://www.instagram.com/iambelmaya/

Facebook: https://www.facebook.com/iambelmaya/

Twitter: https://twitter.com/IAmBelmaya

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